Kate
Kelton - From fashion runways to runaway hit films, this Villager's star is on
the rise. by Dave Gordon Listen carefully. Can you
hear it? In Hollywood circles, they call it "buzz." You know, the kind
of stuff industry insiders talk about over smoked salmon pizza at Spago. And this
time it involves an up-and-coming local actress who some are calling the next
Angelina Jolie. While Kate Kelton may not yet be a household
name, the Village resident is well on her way to stardom. Since making the jump
from modeling to acting in 2002's American Psycho II, Kelton has been busy adding
credits to an impressive resume, including the teen comedy Harold and Kumar go
to White Castle and Canadian director Deepa Mehta's The Republic of Love. This
summer she'll be appearing with Heather Graham (Boogie Nights) in Cake. In the
film, which was shot in Toronto, Kelton plays Tralee, the sister of Graham's love
interest. "She's flirtatious and a little bit wild,
definitely the younger, more rambunctious sister, always taking little potshots
at her on-screen brother (David Sutcliffe) in the name of fun and frivolity Kelton
says of her character. The experience of working with Graham was something Kelton
enjoyed, even though she on occasion had to terrorize her famous co-star's character. "Working
with Heather, she's a doll," says Kelton, "She can be so utterly present
and in the moment on set it's almost frightening. I've been such a fan of hers
for such a long time that finding out I was basically hired to intimidate her
character was about the biggest compliment I've ever been paid in my life by a
casting director." The cast - which also includes
Taye Diggs, (Chicago), Sarah Chalke (Scrubs), Cheryl Hines (Curb Your Enthusiasm),
and Sandra Oh (Sideways) - hit it off so well that they hung out during down-time.
When they weren't behind the scenes on the movie set, they were often found going
out for dinners or seeing films. In one amusing adventure, Kelton and company
had a little cinematic kafuffle when going to a screening of the documentary Supersize
Me. "When the projector started to roll, there was
no sound. Sandra Oh and I made like quick little film aficionados and immediately
shot out of our seats, demanding that the manager start the film again with sound.
Cheryl and Heather covered their eyes so they'd not see another frame of the film
without sound," she recalls. "We ended up getting the entire audience
refunds." Kelton's natural ease on the big screen
is perhaps the result of the fact that her life story sounds a bit like a movie
itself. It starts in Czechoslovakia, where her maternal
grandfather was a well-known dissident and artist in the 1960's. Soon after the
Soviet tanks rolled in in 1968, it became impossible for people to even congregate
peacefully in the streets without arousing suspicion. Several years later, when
her mother was pregnant with Kate, her parents signed police papers swearing they
were only going on vacation to Paris and would not be back. But they did not return. Kate
was born a month later in a refugee camp in the south of Germany. Her parents
worked in American G.I. base camp's kitchen, working one day on and one day off
so someone was always able to take care of baby Kate. Eventually,
her parents divorced, and Kelton's mother and her hippie friends took her on several
trips across Europe in a VW bus. Those adventures, which covered the Netherlands,
Denmark, Austria, Italy, France, Portugal and Spain have left Kelton with a bevy
of stories. "Yes, there was a time when they left
me in the care of an old gypsy woman when they went out in the evening, and yes,
I wasn't allowed t touch the monkey," she says. They
also helped her shape the person she's become. "I
have always held close to my heart this strangely nomadic, gypsy-type upbringing,"
she says. "I think it informs most of the decisions I make to this day about
where to live and how to travel." At the age of seven,
Kelton and her mother made their way to Canada and settled in the Toronto area.
As a teenager, she attended the Etobicoke School of Arts. Originally, she considered
pursuing architecture in university but was dissuaded from that. "It
was the time of the recession, and I was told, 'You know what an architect asks
their clients? Would you like fries with that?' I didn't want that," she
says. "During the depression, films were the one thing that thrived. People
spent their money on escaping into films as a means of survival. So I gambled." She
studies film at Ryerson University, where she focused on art direction and production
design. She acted in 14 student films while at Ryerson, and also got to further
her love of creating art. Shortly after graduating, she had exhibitions of her
prints and paintings at The National Ballet of Canada's group show at the Hummingbird
Centre. She's also had solo shows in Toronto and Montreal. She
got her big break into modeling about five years ago, while working as a stylist
and illustrator, she received a last-minute phone call to replace a sick model
for a photo shoot for the now-defunct Shift magazine. "It
was such a happy accident," Kelton says. "there were five pictures of
me. One big splash of Kate." Tear sheets in hand, Kelton knocked on as
many doors as she could until she found an agent who took her on. Just 5'6",
finding representation in the modeling biz was a tall order for Kelton, but she
persisted and was soon regularly booking print modeling (Flare, Now, Eye), commercials
(Molson, Bell, Pampers, Starbucks), and music videos (Jeff Healey, Moxy Fruvous,
the Crash Test Dummies). Perhaps Kelton's best known video
role was in Shaggy's "It Wasn't Me." It aired worldwide garnering Kelton
recognition for her prominent role and also stirring MTV's interest south of the
border. The suits at the music station were clamoring for the director to shoot
more of her. Another gig that has gotten her a lot of attention
is as the first non-blond Tic-Tac girl in the history of their televised campaigns.
The latest commercial, which will be hopefully also be shown in Canada, the United
States, South Africa, Australia, and Isreal, will begin airing March 28. "I
get stares," Kelton says, "You know, a little bit longer than comfortable.
People say, 'I know you from somewhere. I don't know where though.' It's a weird
life." Her feature film debut came in American Psycho
II, starring Mila Kunis (That 70s Show), William Shatner. Kelton played Clara
the Babysitter, and had a bedroom scene with the former captain of the Starship
Enterprise. Now it just so happens that Kelton has what she refers to as a
little "elfin pointed ear" and has joked for years about being part
Vulcan. When she finally found herself under the covers with Captain Kirk, though,
she forgot to mention it. "In the midst of registering
the utter shock of crawling into bed with my on-screen 'boyfriend' Bill,"
she says, "I neglected to tell the one person in my life it actually applied
to. I think I may have sensed he just couldn't take yet another person approaching
him with their own personalized Beam-Me-Up-Scotty tale." Between
shoots, Kelton makes her home in the Russel Hill Road area, which she says she
adores, and miss when she moves to Los Angeles. One of
the reasons she moved to the area was because Sir Winston Churchill Park and the
ravine near-by. "I felt like I'd discovered some completely 'underground'
part of the city, known only to dog walkers or runners," she says. "You
walk up a bit of a slope from a perfectly normal, residential street, and suddenly
this huge, breath-taking vista opens up and you see the valley snaking it's way
below a bridge, and suddenly you have the feeling that you've just been dropped
right in the middle of the African Savannah." home |